Friday, March 7, 2014

American Idol vs. The Voice - The quality of singers

I've been watching The Voice and American Idol for a few years now and I've notice one major difference in these two singing competitions – The quality of the singers. American Idol definitely loses in the overall quality of singers. 

I began watching American Idol once Simon Cowell left. That's not to say I never saw the show. I had family and friends into it and if I was at their house well lets just say “When in Rome...” I never enjoyed it because to me there was a lot of mediocre singers and a couple of really good singers. I remember saying to a friend of mine while watching back in 2008, “They're all singing out of tune. Are they really considered the best America has to offer?” I am a musician and working Wedding and Karaoke DJ, I hear all kinds of singers. There are singers in the clubs that would blow what American Idol considers the best out of the water. 


The Voice on the other hand is not interested in showcasing bad singers. You'll notice during the blind auditions no one sucks. Some are far better than others and some let their nerves get the best of them, but they are all very good singers. That's because The Voice singers are hand picked by producers for quality. They have some “open” auditions but most of the talent you see on the show producers have personally picked from YouTube, SoundCloud and other online sites, plus traveling to local clubs. Producers contact the artists to see if they'd like to audition – for the producers not the blind auditions on the show – and then hand pick who they put through to the blind auditions. 



It's similar for Idol, but only in the sense that the auditions are not just what you see on the show. The stadium full of people you see on TV is deceiving. They each have a number and it's a lottery drawing. If you're number is called you get to go audition for judges that are not celebrities. They decide who gets through to audition for the producers and then the producers make the final decision as to who goes in front of the celebrity judges. They purposely take bad singers who make good television. That's a huge difference from The Voice. If they don't call your number you go home without having sung a note. 

Now, mind you it's all reality TV and the producers for both shows will take lots of liberties. They're aloud. For both Idol and The Voice it is in the contracts that producers have the last say, even over the voting public. Now I know with Idol a major upset in the voting is great for television and they'll leave it be. However, they know who can ultimately sell albums and go on tour. That is after all the true name of the game - the recording company getting the best artist to promote and sell.

My advice to young people wanting to get on either show is don't go in looking for instant fame. That fame will fade by the time the next season begins. Can you name the top 10 from Season 12? How about 11? Season 10? Probably not. That doesn't mean those artists didn't “make it.” Most did. No they're not all on the level of Kelly Clarkson, but they have careers. If you research, the majority are still in music. Some are on Broadway, some have recording contracts, some are touring, and yes some are back making the rounds at the clubs. That's the nature of the business. So be an artist first. Work on your craft and always strive to improve. 

And for viewers, know that both shows are reality television so the way the show edits together is not necessarily how it was all done. That doesn't mean you can't enjoy it, but please, vote for actual talent over looks. Maybe the quality of American Idol will improve to the standard of The Voice if more people vote for actual talent.

Side note: I like the combination of Keith Urban, Jennifer Lopez and Harry Connick, Jr. on Idol. Harry and Keith bring to it the more technical criticisms  and advice which I believe these kids need to hear and learn from, and Jennifer tries to help them all through encouragement, pointing out the positive and letting them know when more is needed. It's interesting that since The Voice – who has coaches not judges – it seems like Idol judges have tried to be more like coaches and help these kids rather than judge them.

Thursday, February 13, 2014

Sherlock: Fuck Moriarty 3 ways...

Okay, minds out of the gutter, it's not what you're thinking!!














Season 1 cliffhanger: Oh fuck, Moriarty!

Season 2 cliffhanger: Oh FUCK Moriarty


Season 3 cliffhanger: OH FUCK! MORIARTY???





Source: tardis-impala-2-2-1

Saturday, December 7, 2013

Disappointed in The Sound of Music Live starring Carrie Underwood

Carrie Underwood and the children
 So disappointed in The Sound of Music Live. Yes Carrie Underwood can sing, and did a great job with the songs. No one was a bad singer, however there was a lot of bad acting. And who made that casting choice for Rolf?? Seriously? He looked far from 17

I wanted to love it. I did. Sound of Music is one of my all time favorite musicals. I've been to a lot of plays in my life, most of which were musicals, this was one of the worst I've seen. And that includes local musical theater not just the Broadway touring companies. Annie, which we saw last year in NH had better acting.

Audra McDonald as Mother Abbess
One exception was Audra McDonald who played Mother Abbess. She stood out as the "Actor" in the bunch. Yes, I know Stephen Moyer (Captain Von Trapp) is in True Blood and I'm sure he's a good actor - in other shows, not this one. Absolutely horrible. I didn't believe a word he said nor an emotion he tried to portray. I didn't hate the actor who portrayed Max, and come to find out he's a Tony Award winner. Hmm.

The children were pretty good, and honestly probably out shined the adults.

Carrie Underwood &
Stephen Moyer
I think the problem here was this wasn't playing to a packed theater, this was playing for the camera. Even having said that I have DVD's of filmed stage productions, Into the Woods for example, and they are wonderful. No acting issues in them.

Bad casting. Especially of Maria. I love Carrie Underwood but she is not an actress. This story needs an actress who can portray a depth of feeling. Carrie Underwood didn't do that.

Now having said all that: Kudos to everyone for attempting live television. I didn't notice a lot of technical errors, nor flubbed lines and such.



Saturday, November 30, 2013

Karl Urban in new FOX show Almost Human

 Karl Urban (Star Trek, Xena: Warrior Princess) stars in a new series on FOX, Almost Human. Most people today probably know him as Doctor McCoy in the new Star Trek movies. I however remember Karl from Xena: Warrior Princess, playing Cupid and Caesar. (He also played another character in an early first season episode. He was very young.)

His new show is turning out to be very good. I went in without any expectations and it's got me looking forward to the next episode. J. J. Abrams is an Executive producer which probably put very high expectations on the show from a lot of people. I hope it's living up to them because I'd like to see it continue.




The ratings are holding for the most part, although it has gone down a bit. 

According to Deadline Hollywood:
In its second outing on Monday night, Fox’s new Almost Human slipped 17% compared to previous Monday in the demo, clocking a 1.9 rating, and about 6 million viewers, which put it in fourth place among broadcasters on both counts. It held 100% of its audience throughout the hour.  The show also retained 100% of its teen audience, week to week. One week earlier, the futuristic cop drama had logged about 6.3 million viewers and landed in a three-way tie for second place in the demo with a 2.2 rating in fast nationals, tumbling 29% in its move to Monday after a Sunday premiere behind an NFL double-header. Fox projects the new drama episode will climb  to a 3.1 or 3.2 demo rating when Live+7 Day stats come out and estimates the episode will be viewed by more than 14 million via 30-day multi-platform viewing.

Watch episodes online at FOX.



Monday, November 18, 2013

New Showrunner hired for Rizzoli & Isles

New Showrunner hired for Rizzoli & Isles, Jan Nash is replacing Janet Tamaro who left after season 4. Also, Lee Thompson Young's death will be handled in the first episode of season 5.

In the article below it states that Rizzoli & Isles is the #1 show for TNT, and it's second only to The Walking Dead for scripted series in the history of ad-supported cable television. Not bad, ladies. :)


Rizzoli & Isles News, Spoilers & Reviews: New Showrunner hired for Rizzoli & Isles 

Thursday, November 7, 2013

Doctor Who Needs YOU. #SAVETHEDAY


From Doctor Who:

It's 2013, hashtags are a big deal. And the Doctor loves a hashtag – as he explains in this video… http://youtu.be/X80Xq-sHwIw 
Show your support by tagging your best and most creative Doctor Who content with #SaveTheDay, and the more you do, the more the TARDIS will build - unlocking sneak peeks from the 50th Anniversary episode www.doctorwhosavetheday.com

The TARDIS engines are whirring and she's coming in to land… but first, she needs your help.
Post your most creative #DoctorWho pics, videos and stories on Facebook, Twitter and Instagram with the hashtag #SaveTheDay to help build the TARDIS www.doctorwhosavetheday.com

Wednesday, November 6, 2013

Doctor Who 50th - Interviews with Moffet, Matt Smith, David Tennent

Source: BBC

The Doctor Who 50th Anniversary Special materialises on BBC One two weeks on 23 November – that’s only two weeks on Saturday! The BBC has just released a press release containing details of the episode plus interviews with Steven Moffat, Matt Smith, David Tennant, Jenna Coleman and Joanna Page. Here’s the press pack in full:
The Doctors embark on their greatest adventure in this 50th Anniversary Special: in 2013, something terrible is awakening in London’s National Gallery; in 1562, a murderous plot is afoot in Elizabethan
England; and somewhere in space an ancient battle reaches its devastating conclusion. All of reality is at stake as the Doctor’s own dangerous past comes back to haunt him.
The Day of the Doctor is written by Steven Moffat; directed by Nick Hurran; executive produced by Steven Moffat and Faith Penhale and produced by Marcus Wilson. It stars Matt Smith, David Tennant and Jenna Coleman with Billie Piper and John Hurt.
The Day of the Doctor
INTERVIEW WITH STEVEN MOFFAT – LEAD WRITER AND EXECUTIVE PRODUCER
Question: What is it like being the writer for the Doctor Who 50th special?
Steven Moffat: Since I was a little boy, the idea of writing a Doctor Who story at all was remarkable enough to me. But writing the 50th special was exciting and terrifying - everything that showbiz should be.
Q. So where did the story for ‘The Day of the Doctor’ come from?
SM: I didn’t want this to just be a celebration of 50 years of the past. I wanted it to be a celebration of the mythology of the legend of the Doctor and all that entailed. This should be the first step on the next journey, guaranteeing the 100th anniversary. The story focuses on the most important thing that ever happened to the Doctor. We very rarely do that in Doctor Who as it’s usually about the people the Doctor meets or the companion that travel with him. This time it’s different.
Q. ‘The Day of the Doctor’ welcomes back the shape-shifting Zygons, a monster we haven’t seen since the 1970s. Why did you decide they were the ones to bring back?
SM: The Zygons without question are a design classic. They are superb; brilliant from the voice, to the appearance. Essentially we’ve resurrected exactly the same Zygon as Tom Baker fought back in the 70s. They are beautiful, and it’ll show that the special looks forward to the future of Doctor Who and also celebrates the legend.
Q. At the end of the last series we were introduced to John Hurt as the Doctor. What does John bring to the role and can you tell us anything about his Doctor?
SM: With John Hurt we have serious acting royalty and that was the intent of John’s character. John is one of the most distinguished film stars of British origin, one of the most distinguished actors this country has produced and has now become part of Doctor Who mythology.

Read more on BBC